celebrate

today is my half birthday. it marks the halfway point in the last year of my 20s. i thought i'd be more afraid to grow old but as i get closer and closer to the edge of the next decade i view it not as being at a peak about to be pulled inevitably downhill, but standing on the edge of a step in the side of a mountain, peering ahead at what the climb holds ahead.

one thing though, about youth coming to a supposed end, is that i'm aware my body and its capabilities might not remain the same. one way i've been made aware of this is in my yoga practice. for now i feel stronger than i've ever been, but i've accepted that might change, that my wrists might one day fail, that my knees may start to ache, that joints will harden. and with as much yoga as i've done in the last 5 years, i realized i've never ever seen myself except in pictures others take of me. this is fine, it's a spiritual and mindfulness thing for me more than anything, but in a lot of ways my practice is also a tribute to my self, my body, and coming to terms with the fact that this vessel, which i always reviled as a child, is capable of so much more than i ever realized. it is possible to transcend the physical, to be more than a body, and that comes first from accepting and loving yourself completely. yoga showed me that. so now the ultimate test: can i film/photograph myself doing my most cherished thing, and still love it, still love my body, not objectify or scrutinize my self as i see it in this mediated mirror?

so for the last 6 months of my 20s, i'm going to try a project: i'm going to document every day with a yoga self-portrait. yoga, more than anything else i've discovered for myself in my 20s, has taught me so much about who i am, the person i want to be, the strength i possess, and how to open my heart to the world around me. it seems appropriate then, to use yoga as a medium for capturing the gratitude i have for life, for my body, for my sense of self, and for the changes in store for me as time marches ever onward. in doing this, i hope to capture the strength i have now, reflect on how i've grown, and the journey i continue to take.

here's to living each day of this decade with as much beauty, grace, strength, passion, groundedness, and mindfulness as possible.

with love,
stef

bildungsroman

thoughts on Richard Linklater's Boyhood:

1. the conspicuous role of music in creating atmosphere - like a diegetic time capsule (i'm sure i wasn't the only one in the theater last night who felt transported back to a certain time... for me it was college)
2. the hair! Patricia Arquette's hair in particular (gorgeous!). the film was such a tremendous feat, can you imagine planning a 12-year filming project, getting all the footage you need, planning ahead enough knowing there will be no going back as time marches ever onward? obviously the actors were playing characters within a story prepared for the film, but the mind-blowing thing about it for me is that over 12 years, there must have been some blurring of those lines. for instance, with the hair, i imagine Linklater had to allow the actors to change their appearance as needed, for personal and professional purposes, so i assume all hair choices were made totally independent of the film. so, that was "Ethan Hawke"'s goatee. and can you imagine playing a "character" for 12 years? i assume, at some point, you have to become your character/ your character is you. take, for instance, Samantha's character: aspects of her personality remained constant throughout the film, to the point that you have to believe you are seeing Lorelei Linklater on screen, and not just Samantha. (interesting tidbits learned from Manlius Art Cinema's owner Nat: US contract law prevented Linklater from having the actors contractually obligated to complete the 12-year project (US law stipulates a 7 year cap on contracts), so all filming was completed on nothing more than a handshake, basically. also, yes, that was Richard Linklater's daughter we saw growing up on screen... apparently she wanted her character killed off so she could walk away from it)
3. everyone enjoys laughing at Texas
4. Post-Bush and pre-Obama politics -- still funny to this day. three of my favorite jokes from the film: when Sam and Mason go canvassing for their dad and walk up to a house with a confederate flag hanging on the garage ("do i look like a guy who's gonna vote for Barack HUSSEIN Obama?! i'm entitled to shoot you for trespassing!"). they then go across the street to another house where an obnoxiously perky young mom explains she made her children t-shirts that say "my mama's for Obama." finally, Ethan Hawke using the story of Sarah Palin's daughter Bristol as a teen pregnancy allegory for abstinence and contraception.
5. life has no plot. appropriately, Boyhood was as rambling and aimless and surprisingly delightful as life
6. biggest surprise: never expected to like Ethan Hawke so much
7. there is something to be said about the role of video games and the constant companionship of digital entertainment, but i will leave it to others to articulate.

"Mirrorings"

What does it mean to be a "me"? What is the "I" that speaks when I open my mouth and say things that "I" feel?

I am a baby in front of a mirror, watching the baby in front of me move her hands and feet when "my" brain tells hands and feet to move. Is this what it means to be a "me"? To know through observation what the self can do and observe its movements as if observing another person through a window? I learn what I look like by sitting in front of the mirror and tracing my movements through space and learning the way my face looks when it feels different ways.

=

I am a kid at my first sleepover. For the first time I observe the habits of other girls before they go to sleep. When you are alone in your "youness" for so long you take things for granted, assume they are that way for everyone. I wear nightgowns to bed and never brush my hair. Other girls wear long plaid shorts and spend a long time brushing their thick brown hair. They eat pancakes for breakfast with lots of syrup, and I'm used to eating rice cakes or porridge with my Mom and Dad and sneaking sips from their coffee. I start brushing my hair and wearing plaid shorts too. Later when all the girls start shaving their legs I ask my mom if I can start and she says she never shaved her legs a day of her life and why should I? I resent her at first but I think about my Mom and how beautiful she is and I used to look just like her, and she looked just like me when she was young, and I think I can wait and think about shaving. I grow out of it - 25 years old and I've never touched a razor to my body and I am glad I never will.

=

I ride in the car with my Aunt Peggy, who isn't related to me, but she's my Aunt's sister-in-law and I've been told to be nice. She looks me over, observes my tom boyish clothes, my sneakers and baggy t-shirt and my plain haircut and she's got a full face of makeup which seems strange to me because I've never seen my mother wear more than some perfume and blush even when she goes to a fancy restaurant. Aunt Peggy tells me I'm "white" because I grew up in Kentucky and my Chinese isn't great. I squirm in my seat a little and try not to let my face show how much I want to hate her right now.

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In middle school, all the black kids in my general classes make fun of me and pull their eyelids tight and make horrible sounds at me. They throw trash at me when the teacher is turned around. In gym class we do fitness tests and I can run faster, longer and do more pushups than most of the boys, and my body fat index is only a 12%, and still the teachers and older white girls in class tell me it's only because I don't have any breasts and they make me feel small and powerless. In the locker room, I'm ashamed to change out of my gym clothes. I don't wear a bra yet because I don't need one and I feel ashamed. I wear my gym shirt under my uniform until the gym semester is over.

=

In high school some boy named Peter makes fun of me and calls me Su Ling, like he's so funny. I hate him in a way I can't articulate and can't do anything with because if I tried to do anything it would result in some kind of violence. So instead I bottle it up inside me and it hurts me more when it should be hurting him. He calls me Su Ling and pretends to speak Chinese at me. He asks me if I can shoot fireballs with my hands and when he finds out I am good at English, that I can write and read, he says I must be "half and half." I want to exact violence on him and think that if I knew how to shoot a fireball now would be the time to find out.

=

I have my mother's nose and my father's chin but my eyes are mine. I grow up thinking I am small and short and skinny and it isn't until I am an adult that I am told I'm pretty for the first time, that I'm "tall for a girl" that I'm "tall for an Asian" that I'm strong and fit and sexy. It's a new thing but I never get used to it, and never can get enough of it.

=

Some people say I look just like my father. Some people say I look like my mom when she was my age. Other people say I look like Anne Curry, or Mulan, or… I get mistaken for "someone I know" a lot. I wonder if there are only so many combinations of features and everyone's unique combination eventually gets repeated. It's inevitable.

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I've been thinking about genetics a lot. I look at people and I wonder what pieces they got from their parents. I look at my parents and try to imagine if they knew when they got together what their babies would look like. I look at couples and wonder what the products of their coupling will look like.

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I think back on childhood and adolescence and I think "I'm lucky I got out alive." So much self-hatred and uncertainty about who to be and how to be. So much judgment and scrutiny. When I was teaching middle school I observed my students with a certain level of curiosity. I never had an unattractive student. They all seemed perfect and cute and delightfully endearing. Do children realize how perfect they are, how needless of change? When I was a kid I sought to change everything about myself, the shape of my nose and eyes, the texture of my hair, my skin, my voice, the thickness of my eyebrows, the length of my arms, the size of my chest, the size of my lips. All I could see as a kid was flaws and how to change them. At some point that stopped and I grew into a confident woman who can see the individual beauty in each person, including herself. That is a remarkable thing. To look in the mirror and see flaws but embrace them, to observe them and know that they belong to you.

some musings on the passage of time

i realize that in some form or another, this blog has largely been devoted to chronicling the passage of time: noticing the changes demarcating the stages of life, nostalgia, the seasons, the future, the past, memories.

but, if this blog is supposed to be a reflection of my most persistent thoughts, then that seems about right.

Time is an interesting phenomenon to behold, and thus my fascination. such an intangible thing, a deception, but relentless. 15 minutes goes unnoticed, but what about 5 years?

i can lament the sweet brevity of childhood, but feel tormented in the endlessness of a single day at work, fail to understand how short the days are while at the same time, counting down the days until the summer or my next vacation.

does it seem accurate to say a year is 365 days? somehow a year seems so long, but when i think about the days that comprise a year, it seems so swift. and how quickly a month passes! it's already march...

and yet, june can't come quickly enough...

some things you take for granted until you stop to think about them, and that's the trouble with Time. perhaps this is why nostalgia is such a poignant emotion; it is a form of concentrated regret for lost time. it is regret for our readiness for the future, our persistence in pressing onward and forward, regret we feel when we reflect on how far we've come and see the distance and extent of our own removal.

usually, we don't remember Time until we see its signs in the accumulation of little changes: the appearance of first wrinkles (laugh lines around the eyes), childhood clothing no longer being appropriately whimsical for the workplace, high school references no longer being recent enough to be relevant, "child" actors now in their 30s or 40s (sometimes it takes seeing someone else's aging to understand your own).